Skansen’s Printer’s Workshop has a large room for both typesetting and printing. When a text was to be printed, the typesetter began by making up the sentences. The types were kept in trays, with different sized compartments. The letters that were used most often, such as a, e, n and r, were stored in larger compartments in the middle. Less commonly used letters, such as b, c and f, were placed less centrally. The same system has been carried over to today’s keyboard, with the most commonly used letters being placed in the optimum positions. Once the typesetter had completed the text, he handed it over to the printer who printed the text.
Iron printing presses and early newspapers
Iron printing presses were introduced in the early 19th century. These were more stable than the older wooden presses. They were also more efficient, because they made it possible to print on a larger area. The Printer’s Workshop has two iron presses from the early 19th century that were used to print books. The printing area also has a larger press, a Haga press, which was used to print newspapers. The first issues of the Swedish newspaper Aftonbladet were printed on a similar press. In the smaller room of the Printer’s Workshop, there is a small hand press that was used to print visiting cards, invitations and headed writing paper in smaller quantities.
A vanishing craft
The technique of using moveable type to make up text was used until the 1970s when it was replaced by film strips. Computers arrived in the 1980s, and the technique of printing text using loose type quickly disappeared. Today, the art of letterpress printing is a vanishing craft. Only a few people have mastered the profession, and it is no longer possible to train as a letterpress printer. With the Printer’s Workshop, where real[JK1] craftspeople can demonstrate and describe the art of letterpress printing, Skansen wants to promote the preservation of craftsmanship and intangible cultural heritage.